• For Writers

    Are Your Characters Faceless Blobs? (Or, How Exhaustively Do You Describe Your Characters?)

    Are Your Characters Faceless Blobs? (Or, How Exhaustively Do You Describe Your Characters?)

    Writers tend to be of two minds when it comes to describing a character’s physical appearance. Either they like to a) introduce each character with a fully-fleshed description that gives the reader an instant picture in their mind, or b) sprinkle in details sparingly, when they come up organically in the story.

    (Of course, there are some writers who prefer a third option, c) divulge nothing about the characters save, basically, their names. This tactic, I DO NOT recommend. The idea behind it is, I guess, noble: to let your readers form their own interpretation of a character’s physicality free from the author’s influence, and to avoid bogging down the prose with a clunky descriptive paragraph. I can see what these writers are trying to do, only most of the time … they don’t do it. They end up creating faceless blobs: featureless talking heads that leave little impression on the reader.)

    So, when it comes to describing characters, how much detail is too much? Should we saturate our pages with description, or sprinkle them?

  • For Writers

    Writing Tip: Make Something Happen On Every Page

    Maintaining a constant, forward momentum can be tricky when you’re writing a story. A great way to make sure your story is moving steadily ahead is to look at the action on a page-by-page basis:

    Have something happen, change, or be revealed by the end of every page in your story.

    When I go back over what I’ve written, I like to always make sure that, when I come to the end of every page, something has changedSomeone has asked a question, or answered one; a character has learned something new; seen something surprising; put on their jacket and gone somewhere else. A phone has rung, or a knock comes at the door; whatever happens, by the bottom of the page, we’re further along than we were at the top.

    Making sure every single page has a specific point, needs to be there, has done something to move your plot towards its conclusion, is a quick and easy way to give your story forward momentum, and give the reader a reason to keep turning pages.

    An earlier version of this post was originally shared on my old blog, Christina Writes

  • For Writers

    What does it mean to “Kill Your Darlings”?

    We all know those moments in editing, or writing, when it feels like the story is struggling. The plot’s sluggish, wheezing to a halt. Your prose feels uninspired. Your characters are making decisions that don’t entirely make sense. Your protagonist’s motivations are pin-balling around so fast she’s liable to get a concussion. Something isn’t working, and you can’t figure out what.

    A common piece of writing advice (attributed to a number of literary giants) is to “kill your darlings.” This is provocative advice, but what exactly does it mean?

    Kill Your Darlings, to me, means identifying the parts of your story you are not looking at objectively. That chapter you keep saying has to end with a certain beat. That line of dialogue you keep rewriting the scene to make sure you include. Does the character have to ask this question right now? When did you decide this? Why can everything else in this scene be rewritten, but this bit was scribed in indelible ink?

    When writing, and especially when editing, you’ve got to be willing to let your story change and grow organically. So, if you’re stuck in a scene, or if some element of your plot just isn’t working, ask yourself—is there something here, a moment, a story beat, a line of dialogue, a fact of backstory or worldbuilding, that I am fiercely protecting for no clear reason? Did I make some decision weeks, months, years ago, about this story that I have never reexamined? Is there something within this writing that I have never put through the same dispassionate red pen wringer as everything else?

    That’s probably your darling. That’s the blind spot that’s been wheezing and guttering without your realizing. And maybe it’s time to take it off life support.

  • Blog

    My 2017 Writing Goals

     It’s 2017, and, I have to tell you, I’m very happy about that fact. See, 2016 was about as flaming a pile of dog feces for me as it was for most everyone else. I had many memorably terrible days, lost two family pets to old age, had periods of depression that stalled my writing progress immensely, and basically just felt like a failure for most of that calendar year. So. I was pretty happy to be slamming the gas pedal on December 31st and watch 2016 diminishing in the rearview mirror.

    The first couple weeks of January have been rough, though, as my mom and I were both clobbered by a sinus infection/congested cough that would not release us from its sticky, snotty, feverish grip. So, here it is January 12, and I’m only just now starting to feel like a Productive Human Being again (who still occasionally coughs up quarter-sized gobs of mucus. Disgusting, but the constant and sudden expulsion of bodily fluids has become so normalized in this household that I’m utterly desensitized to the grossness.) Since I’m now ready to Get My Life Together (also known as being ready to Make Great Plans I May Never Take Any Strides to Actually Accomplish), I’m participating in PaperFury’s Beautiful Books: 2017 Writing Goals link up. Because I really, really do intend to make 2017 a year full of words.

    Onto the questions.