We’ve all had those moments when we’ve had to come to terms with the fact that the character we envision in our heads isn’t quite the person staring back at us from the page. Their voice, their mannerisms, their decisions, aren’t quite what we imagined in our heads. Maybe your gallant heroine came out of your first draft with rather darker motivations than you intended, or there’s something about your love-interest’s behavior that, for no reason you can quite put your finger on, really makes you want to drop-kick the guy right out of your story.

Here’s an unexpected problem I stumbled across in editing my WIP—my main character sounded younger, more naïve, and, frankly, whinier than I ever meant for him to come across. Luckily, it wasn’t hard to identify why.

The dude asked too many questions.

Do you ever get irritated when someone treats what should’ve been a casual conversation as an opportunity to straight-up interrogate you? Since when did small talk come with a side order of psychoanalysis? Have you ever been trying to concentrate on something, only to have someone standing at your side asking you question after question after question, until your nerves are rattled? (Well?? Have you???)

My character spent much of the opening chapters of my WIP asking questions about the world around him. While a lot of the information imparted to my character during these exchanges is essential to moving the plot forward, there’s no reason this grown adult needs to sound like a precocious four year old ceaselessly demanding to know “Why?”

If your character is constantly asking questions, they can come off as younger, more naïve, and — frankly– more annoying than you intend. Find a more engaging way to impart crucial plot information than bland interrogations between characters.